Barragán
A crucifix USB necklace carries a Barragán video game
THE END IS NEAR, made for Victor Barragán's label by Alex Sinh Nguyen, ships as $270 jewelry.
Barragán
THE END IS NEAR, made for Victor Barragán's label by Alex Sinh Nguyen, ships as $270 jewelry.
Queen's Domain
The dev jokes that teeth would wear down chewing on this game—Dark Souls's first-person ancestor finally gets an heir, and the demo is out.
Playlist
Just a little twist of the truth.
Danny Snelson
A year after the University of Minnesota Press book, UCLA's Danny Snelson rebuilds its resources as a clickable fake OS—podcasts, reviews, and dozens of small archives included.
POLYMORPH
Intron Interactive's biological roguelike casts you as a cancerous pathogen; the comments immediately turned healing into a moral problem.
Ville Kallio
The Cruelty Squad creator shares the city's annual 5,000-euro award with soul singer Emilia Sisco and knitwear designer Juha Vehmaanperä.
Murlo
Five minigames from the unreleased Something Beautiful played on Factory International's Media Wall, on a controller covered in the artist's 3D-printed sculptures.
freeculture.api
freeculture.api built an idle game about autonomous weapons into a field-deployable hardshell case—and the critique is in the hardware.
machinima
Miles Buckle rebuilds Rear Window, Amarcord and Hitchcock's Rope as late-'90s games nobody will ever play, and the impossibility is exactly the point.
ALICE BUCKNELL
Alice Bucknell's Coyote Time—an eco sci-fi text adventure premiering at St. Louis's City Museum this fall—gave Counterpublic 2026 its title.
Larry Achiampong
Larry Achiampong's The Gaming Room furnishes Pixel Pioneers at the Boijmans with a playable living room—games as memory, kinship and diaspora.
Sahej Rahal
The open-world civilization built for ifa's ARE YOU FOR REAL is still playable on New Art City—the browser as exhibition hall.