Top Chef notwithstanding, it is rarely advisable to see how a sausage is made. This is not a new aphorism—aphorisms are rarely new—but technology has given it new resonance. It has never been easier to distribute bonus content, to be ‘closer’ to artists, and to see heretofore-mysterious processes. A
When you’re a kid, monsters aren’t just something you entertain as a distant possibility—there are times when you’re, like, 90 percent sure they’re actually there. I can remember several nights lying awake in bed in my childhood home, unable to close my eyes because of my deep conviction that someth
I spent a lot of time this week listening to “Subterraneans,” the last song on 1977’s Low, by David Bowie. I didn’t know what else to do. Like a lot of other people, I had a feeling—this response to death we all have, with varying degrees of terror and/or sadness attached to it—combined with the use
A new teaser for Netflix’s House of Cards plays like a highlight reel of protagonist Frank Underwood’s most heinous exploits. As the show prepares to drag itself into a fourth season this March, it’s worth remembering not just how villainous Frank’s rise to power was, but also how ludicrously easy.
This past summer saw, within a month of each other, the arrival of two of the year’s most unwanted works: Harper Lee’s Go Set a Watchman and Tale of Tale’s Sunset. No one asked for, and no one is celebrating, Watchman’s publication. Leaving aside the troubling context surrounding the “discovery” of
