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Friday Sundae wrote its haunted hotel game as a musical
Characters at the Grand carry their own theme songs, and dialogue choices are sung back in verse.
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Lofsöng hides a nuclear warning
Alessandro Durando's wordless adventure sends you across brutalist monuments carved to outlast the language of their builders.
Daniel Temkin
Code is a plaything in Daniel Temkin’s esolangs
Natasha Chuk’s new essay reads esoteric programming languages through Oulipo, Aarseth’s ergodics, and Getting Over It with Bennett Foddy.
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The boss fight is offscreen in Leonardo Devito's Dark Souls
The Florence-born painter puts the monitor, the keyboard and an unimpressed onlooker on canvas
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In FAKE ME, your disguise starts as a blank block
Eren Can Metin and Emre Gökçe put the verbs of 3D modeling into a multiplayer hide-and-seek round.
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A painted afterlife anchors Prison of Husks
Glass Head Dolls' doll wakes in the Lithos Plateau hunting a lost love
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Walaber's Reason and Rhyme is co-op for exactly two
Tim FitzRandolph's Flipnote-styled island puzzler lands October 15,
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Zhou Yichen's GRANDMA is coming to a metal cartridge
Backers can have someone they love redrawn as a pixel character in the Game Boy eulogy.
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A precision platformer drawn in Ben Day dots
Aggro Crab's first signing is ThirtyThree's Rebounder
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With Top Hat signing on, METAMORPHOSIS goes full time
luxan's pixel-art horror game sends a nun named Aria across a dead world toward absolution
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Behind Control Resonant's ads: Harmony Korine's EDGLRD
The collective that made Aggro Dr1ft is selling Remedy's paranormal Manhattan.
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When you attack the boss in Camoflux, the landscape wins
Leo Castañeda built the Whitney Biennial’s game installation with grandmother Maria Thereza Negreiros, 96—and its browser spin-off is free to play.