Édouard Manet’s Le Déjeuner sur l’herbe was rejected by the Paris Salon when he submitted it in 1863. In fact, so may paintings were rejected that year that the Emperor Napoleon III decided to create the alternative event where these works could be seen and judged by the public at large. This “Salo
This article is part of a series called Shut Up, Videogames, in which critic Ed Smith invites games old and new to pipe down, or otherwise. In this edition, he looks at today’s atmosphere of “gaming positivity” in games criticism. Rather than challenged by the emergence of different games and differ
“We’re born naked, and the rest is drag.” – Ru Paul, Lettin’ It All Hang Out, 1995 /// Australian digital media artist Alison Bennett says that Virtual Drag came to her “like a bright flash.” It may not seem obvious at first, the connection between drag performance and virtual reality, but once the
Imagine a purgatory for the beleaguered office worker. It is probably a world of endless (or, to misuse the term to constructive ends, more endless) meetings and water cooler chat. Fair enough: That is what office culture and the cultural portrayals thereof have conditioned us to expect. But what if
It’s approximately 7 p.m. on a Monday night in California, and across from me sits the bleach-haired Zeon Gomez of Ulzzang Pistol, an artist of Los Angeles-based netlabel Zoom Lens. Yet for Gomez, it’s 11 a.m. on a Tuesday. He resides across the world from my foggy little city in the United States,
