Rui Hu: The infinite futures of games
Artist Rui Hu blends game engines, installation art, and memory to examine how virtual spaces infiltrate our physical world.
Time
Inside the Kubrickian spaces of Twelve Minutes
Visual artist Luis Antonio’s been around. He used to work at a couple big name game companies (Rockstar and Ubisoft). But, feeling unfulfilled, he jumped ship to work on Jonathan Blow’s The Witness, a game that incidentally inspired him to learn programming and pursue his own personal project, Twelv
SUPERHOT is so close it’s burning our skin
The wait for SUPERHOT is over. Almost. With a newly announced release date of February 25th, the high-contrast, low-poly fever dreams of the Poland-based Superhot Team are only a few weeks away. A teaser trailer that accompanied the announcement shows these highly-stylized bullet hallucinations in a
SUPERHOT and the unique temporality of videogames
When the Wachowskis transported bullet-time over from Hong Kong cinema to The Matrix (1999), mainstream western audiences were wowed. This was the beginning of something new for action cinema, the ability for the camera to pivot around action, playing a moment from a multiplicity of angles that stun
Time Magazine might not get virtual reality, but The New Yorker does
Watching traditional media outlets like Time scramble to try and wrap their minds around something like virtual reality is, well, kinda adorable. Don’t get me wrong: for all the patronizing smugness we feel about knowing a bit more about emerging technologies (since we’re, you know, a videogame arts