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Visual artist Luis Antonio’s been around. He used to work at a couple big name game companies (Rockstar and Ubisoft). But, feeling unfulfilled, he jumped ship to work on Jonathan Blow’s The Witness, a game that incidentally inspired him to learn programming and pursue his own personal project, Twelv
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Everything we know and love virtually is the source of meticulous coding. Coding is the backbone of videogames. Coding is in the DNA of the websites we visit daily. In fact, coding can be the reason why some of our favorite creative endeavors exist at all. Coding all too often makes the impossible p
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Inventory management is a tedious part of videogames. I’ve never found myself daydreaming of the minuscule inventory in Resident Evil (1996) (though I do remember that opting for playing as Jill netted you two more slots). Nor have I ever found myself enjoying the meticulous disposal of items over-e
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There’s a special brand of nostalgia for the Family Computer, colloquially called the Famicom. The game console was released by Nintendo in 1986 but never outside of Japan, and was home to many, many cult games. It jump-started a multitude of classic Nintendo franchises, like Mother (1989) (also kno
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Experimental pop musician Claire “Grimes” Boucher is a one-lady machine. Not only does the pop songstress compose and write all her own music, she also directs her own music videos and has a steady hand in producing. The fully-realized vision of Grimes is wholly Boucher’s own. Grimes is Grimes, beca
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If a cancelled game adaptation of the cult classic Akira (1988) is displayed at the Consumer Electronics Show (CES) in an era before live-tweeting, does it even make an impact? Apparently so, as rare footage of the Sega Genesis and SNES title recently emerged in the form of a shaky camera on the sho
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Tron (1982) is a dope science-fiction film. Maybe it’s the dopest sci-fi film. And maybe it would be even doper if it starred a bat, instead of a digitized Jeff Bridges on a lightcycle. In the game Winging It that exact fantasy is realized. After booting up Winging It, my screen turned dark—which is
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Legendary filmmaker Alfred Hitchcock’s Psycho (1960) is a classic. Psycho made waves in a magnitude of ways: like killing off its female lead in the shocking first third in the pivotal shower scene, displaying sex and violence interchangeably within a mainstream film, among other, ever-shadowy film
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Playing artists Sam Rolfes’ and Lars Berg’s “fleshy music game” Limp Body Beat will probably be the closest I’ll ever get to attending one of those Body World exhibits. I hate the physical look of muscles. I cringe at the sight of gore that includes flesh-slicing. I’m not into it. Flesh and anything
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Mason Lindroth’s animations exist somewhere between the realm of a hellish nightmare, surreal art, and collages. It’s all those things, and also none of them. Lindroth’s repeated animated aesthetic is wholly unique—there’s nothing else like it (and in fact, he even hand-sculpts some objects from cla
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New York City has a clichéd nickname: The City that Never Sleeps, referring to the restlessness of nightlife in the city. Similar is the metropolis in the newly released Cyber City 2157: The Visual Novel, as it also never sleeps. But that’s because the sun never sets. Night never comes to toss its d
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Open-world games nearly always have choices—where to go, what to do, what side of the law to fall on. In one of Bethesda’s sprawling ones, like Fallout 4 (2015), you practically have the freedom to do whatever you want, by which you quickly learn means that you can kill whoever you want. In the high