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It all began with a phone number hidden within Oxenfree’s in-game radio stations, or “anomalies.” When called, it played the song “Beacon Beach,” by artist scntfc, the composer behind the game’s soundtrack. Well, so what? Go back and listen again and you’ll find lines of morse code in the song, with
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Chocolate milk cowboys. Velociraptor billionaires. Unicorn butt cops. Bigfoot pirates. These creations are the basis for the works of erotic novelist Chuck Tingle. “The Tingler”—the name Chuck gives to his erotic books—are also the foundation for the newest game from Depression Quest (2013) creator
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One of the first things that Anne Ferrero says to me is that her new documentary isn’t “Indie Game: The Movie [2012] in Japan.” She tells me this as she’s aware that many people will assume that to be the case. But it’s not just a matter of a director looking to ensure that her potential audience is
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“What do you get when you take a painter with a penchant for the peculiar and a programmer fluent in pixels?” That is the question posed by JJ Walker’s short documentary, Canvas+Code, which follows Ryan Ford and Brad Henderson, the painter and programmer that make up Globhammer. The documentary has
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If you haven’t heard of Jonathan Sutak, producer and director of The Foreigner, a new documentary about professional StarCraft II (2010), you can take solace in knowing that you’ve probably seen some of his work. Not, mind you, the two independent dramas—Up The River (2015), a romance, and Don’t Wor
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Having enjoyed a brief sneak-peek at Austin, Texas’ SXSW art and technology festival last weekend, My Urban Playground is an upcoming documentary from game publisher Paradox Interactive that tells the story of popular city-building game, Cities: Skylines (2015), and the fans who are using it to plan
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While last month’s That Dragon, Cancer is, itself, an artifact worth discussing on a number of levels, especially in terms of its handle on faith and loss, there is more to the story than what the videogame contains. Some of that story can be found in the documentary Thank You For Playing, which is
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The world is an infinite musical instrument. This is the prevailing idea across the interactive documentary Soundhunters. And it doesn’t mean in the way as I understood it in my college days, drumming out beats onto desk corners with my fingers; it’s less deliberate than that. The idea is to listen
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Co-creation.
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The first three installments of Laurent Checola and Thomas Kimmerlin’s micro-documentary web series Let’s Play invited viewers to examine the new frontiers for game designers, how they are participating in controversial conversations, and how they can challenge conventional notions of play and succe
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The first two episodes of Laurent Checola and Thomas Kimmerlin’s collaborative micro-documentary Let’s Play introduced the emerging communities of developers experimenting with how to create exciting new experiences and tell emotionally resonant, even controversial stories within games. The third in
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“Change the Rules”