As Creative Director of R&D at The New York Times, Lana Porter harnesses emerging technologies to create novel ways for readers to connect with journalism, from 3D-modeled environments to AI-powered news interfaces.
Paris-based artist Ines Alpha pushes the boundaries of beauty and self-expression through 3D virtual makeup, creating otherworldly digital adornments that transform social media into a canvas for radical self-expression.
Artist Theo Triantyfillidis merges virtual and physical realms through interactive installations and mixed reality performances that question digital embodiment and spatial boundaries.
Over the past three decades, 3D printing has expanded from modest origins—a stereolithographic prototype designed by Chuck Hull of 3D Systems Corp. in 1984—to being hailed, in 2012, as the vehicle of a third industrial revolution. In the past few years alone, we’ve 3D-printed Van Gogh’s ear, a hi-te
Horizon Chase mixes old-school pixel graphics with state-of-the-art polygon video game technology to give nostalgic players the ultimate arcade experience.
