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It’s been a little over two years since ambitious space exploration game No Man’s Sky, with its “planet-sized planets” and “universe-sized universe,” was first announced back in December of 2013. Since then, the game’s trailers and various press showings have been great at capturing the imagination,
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I’ve never been a writing-within-hours-of-the-deadline type of person. In college, I was probably an anomaly of a student. I’d write my papers in advance, then pop into my professors’ office hours for feedback before turning in a final draft. Some peers called me an overachiever. Others had no idea
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Orthogonal Games, the studio behind 2013’s The Novelist, has announced its next project, called Near Death. It presents a simple premise: Your plane has crashed in Antarctica. You’re cold, you’re alone, and it’s dark. There’s an abandoned research station within walking distance. Try not to die. It’
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Boy, videogames sure do want out of the narrow, crate-filled corridors of their youth, nowadays! First-person hiking simulator Firewatch has been receiving critical praise all week, in no small part because of its beautiful renditions of the American Northwest. Now The Flame in the Flood, a game abo
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America as depicted in the work of the American realist painter Edward Hopper is almost unbearably quaint. The majority of his paintings and prints involve remarkably calm, perhaps lonely, people leading blissfully mundane existences in vintage diners, full service gas stations, and excessively tidy
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Cavemen games seem to be the next big thing, a natural evolution of the survival genre. Now that the post-apocalypse is becoming a little tired, it makes sense to reach way back to pre-civilization for something fresh. Big titles like Far Cry Primal and WiLD may be the ones people are talking about,
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The most striking thing about the new trailer for Kôna, an upcoming surreal mystery game from Parabole, is its narration. It has this really odd, stilted intonation that I can’t quite place; the boom and quirk of old timey radio announcer meets the uncanny poetry of The Residents. Whatever it is, I
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Overland has the look of something you could feasibly prod. It comes across as a series of cartoon-coated dioramas that are made to be admired up close. This is no accident. As designer Adam Saltsman explains in a new video about Overland, by having “clear, obvious visuals composed on a single scree
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It’s the little things that I value most in survival games—those small, but important details in the environment that let me make reasonable predictions based on my surroundings, or the ability to place items in the world so that I can actually feel settled in my makeshift home. The Long Dark, a fir
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Graveyard town.
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It’s hard for me to say no to new survival games, but only because I haven’t found the perfect one yet. The Long Dark, with its lovely low-poly snowscapes and focus on enduring the harsh wilderness rather than zombies or other creatures, is the closest I’ve come to a favorite. But now there’s a new
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Before is yet another survival game, but unlike most of the post-apocalyptic zombie fests that dominate the genre now, Facepunch Studios has set their world in a time long before modern civilization even existed: the era of cave-dwellers and mammoths, grass huts and spears. The latest blog post outl