Can games really do anything? That’s been the messaging over the last year or so since the release of Jane Mcgonigal’s Reality is Broken. But is that really so? At a talk at today’s Game Developers Conference in San Francisco, game designer Margaret Robertson outlined some of difficulties they faced
“Button-mashing” used to be entirely a matter of player skill meeting the impossible difficulty of a game, ultimately ending with the controller being hurled at the screen in frustration. Engineers from the University of Utah are taking the concept to the next level with a new videogame controller.
The Kinect’s technology is largely controlled by the physical borders around it—the finite space between the single-camera -holding-console and the user that can detect movements with an adequate level of precision. Chris Harrison, a researcher at the Human-Computer Interaction Institute at Carnegie
Michel McBride-Carpentier’s new title Bauhaus Break is a “casual drop & match game for iOS influenced by Set and Drop7, with a Constructivist art style.” It’s also a bit tough as you have to match similar object by similarity or difference. But the aesthetic sensibility is quite the highlight as Mc-
Renaud Hallée wrote us about the protoype of his new game “Tambour.” The visuals are sparse, but the concept is fascinating. Two drummers, one battle. Each player sends armies of notes against the other to vie for rhythmic supremecy. Take a look. Video -Jamin Warren
So this game Mass Effect 3 came out today, and if online videogame journals teach me anything, it’s a pretty big deal. Longtime fans of the series and newcomers alike wondered: what’s going to happen to Shepard and his multispecies team of intergalactic ass-kickers? Will the third act tie everything
As part of an installation, Ana Soler‘s more than 2,000 tennis balls dot the Mustang Art Gallery. [Via Pulmonaire]