Article
The blood you’ll never see in a game
Bioshock’s troubled view on what makes a woman.
bioshock
Article
Road to TWO5SIX: Patrick Balthrop
The Bioshock audio designer has risked life and limb to create the games’ sounds.
Article
Road to TWO5SIX: Steve Gaynor
The creator of last year’s watershed Gone Home discusses its wake.
Review
BioShock’s Burial at Sea closes the series with a whimper
Irrational’s influential work ends as it began, unfortunately.
Article
Therapy in Rapture
Yes, a man is entitled to the sweat of his brow, but at what cost?
News
Irrational Games goes to that big cloud city in the sky/out of business
They’ve been, uh, raptured.
Review
Bioshock Infinite’s 1999 Mode is less money, mo’ problems
To what is Bioshock Infinite heir?
Interview
Racial supremacy? Economic oppression? BioShock Infinite’s Ken Levine digs into America’s seedy past
Why do we accept floating cities, but never singing maidens?
Interview
BioShock Infinite creator Ken Levine talks Occupy Wall Street and how his game almost wasn’t
We chat with an exhausted Ken Levine just before the launch of the third installment of BioShock.
News
Channeling Christopher Nolan, Ether One promises to fix our broken memories
Back in September 2011, two lads out of Manchester founded a small development studio named White Paper Games. The chosen logo was an origami crane, an apt symbol of what kind of games they aspired to make: aesthetically graceful objects, made from familiar material, twisted into thoughtful, complex
bioshock infinite
Worlds of Sound
From the cha-ching of a vending machine to the distant roar of tragic monsters, Irrational Games’ Pat Balthrop and Ken Levine talk about the sounds of their bestselling franchise, BioShock.