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Grand Theft Auto 5 is the broken, beautiful reflection Los Angeles deserves

Rockstar’s on some Joan Didion shit right now.

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Outlast’s developer tells us how it plays off of the realest terror of them all: adulthood

Red Barrels co-founder Philippe Morin talks about the survival horror game’s surprising aesthetic inspirations.

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New PBS Game/Show asks if there will always be violent videogames

This week’s episode asks a timeless question of we love to run people over with digital cars.

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What does it mean when huge companies talk about indie games?

Everybody’s paying lip service to indie developers, for better or worse.

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What can broadcast sports learn from videogames?

Inside the 0s and 1s that are making Xs and Os more sensible.

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Nintendo wants to be the Pied Piper to the world’s 5- and 6-year-olds

Nintendo made the 2DS because they love you. So let’s dial back the malice, a little bit.

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Can a team of Pixar and Muppet Studios vets make good on the promise of Milo?

ToyTalk wants to open up a dialogue about videogames. With videogames, as well.

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Is Watch Dogs a fantasy, a nightmare, or a reality?

Ubisoft’s new game typifies the modern nanny state.

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How The Bureau: XCOM Declassified came about its freewheeling camera

Trial, error, and a bunch of genre shifts.

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How The Wire’s celebrated "f**k" scene inspired Telltale’s followup to The Walking Dead

Lead writer Pierre Shorette explains why The Wolf Among Us is about building just one scene at a time

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Apple’s Apps come home, questing through your hard drive, and a virtual playroom

Creating believable female characters and more on today’s cheat sheet.

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The JRPG may be exactly what gaming needs

Gather your shurikens–we’re headed for the ’90s.