Lou Fauroux
Lou Fauroux's WhatRemains, Genesis screens at MUTEK Forum
Set in 2048, the film gives Google a cure for death — until hackers leak the source code to everyone. In Montreal Wednesday, with a Q&A to follow.
Lou Fauroux
Set in 2048, the film gives Google a cure for death — until hackers leak the source code to everyone. In Montreal Wednesday, with a Q&A to follow.
Pierre Moulin
Pierre Moulin's new game THE HOST, scored by Octave Magescas, showed alongside four works from the Distraction collective.
Playdate
Nicolas Tilly's Playdate sound toy drops levels and fail states for resonances, ritual, and a 30-second performance recorder.
Federico Solmi
A process reel shows hand-painted surfaces wrapped onto 3D models — the game engine used as camera and stage, never as game.
Tukoni
The illustrator behind the series stayed on as art director, and the wordless woodland fable plays in any language.
Jackie Turpin
The UCLA animator rotoscoped the swing frame by frame to test a 2D-to-3D pipeline, working the seam where drawing meets simulation.
BREAKOUT BABY
BREAKOUT BABY, from developer STH and publisher Assemble Entertainment, hands you an infant and a maze
Wristwork
The London studio's lockdown-era collectathon returns at true city scale — hundreds of thousands of birds, and one of them is your soulmate.
Zeitgeist Studio
Zeitgeist Studio's WINGS-winning debut makes performed happiness a survival mechanic, ahead of a Q1 2027 release through HYPER REAL.
CONTROL
OHSH Projects argued that videogame aesthetics already remade contemporary art, and staged the show itself like a game.
Xiner Lan
Xiner Lan's UCLA MFA thesis installation stages pseudo-sports on a twin-joystick arcade cabinet, a ritual for building 'the great body.'
Alina Nazmeeva
The simulation-based solo show opens August 28 at MANA Contemporary in Chicago, with a panel alongside longtime collaborator Yvette Granata.