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Why the trailers tell me Assassin’s Creed: Syndicate will be bloody awful
Some games you don’t need to play to hate.
Gareth Damian Martin
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The Taken King is the weird, wandering sci-fi shooter Destiny dreamed of becoming
With The Taken King, Destiny remembers the power of narrative.
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The return of Dishonored
The fiction and function of Arkane’s masterpiece.
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#E3
Excited for #E3? We can barely sleep, we can barely see.
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Talking to the monsters in Destiny’s House of Wolves
Can Destiny’s disconnected lore be resolved by its newest expansion?
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Second Quest’s rejection of binary ritual
Imagining Zelda beyond light and dark, male and female, good and evil.
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Studio Ghibli’s Spaces of Escape and Longing
The spaces we never occupy haunt us the most
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Hidetaka Miyazaki’s transcendent quest for beauty in Bloodborne
The obsessions of an artist.
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The Order: 1886: Whitechapel, Red Barrels
A world—a city—that deserves more
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A Dog Tale, or the death of mystery
On the strange power of unremarkable games.
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Metroid Prime 2 and the potential of sequels
The wonders of Sanctuary Fortress.
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How To Escape
Exploring the potential of the screen, the page and the ceiling.