To be, or not to be—that is a rhetorical question, and it gets at the challenges facing anyone who wishes to convert Shakespeare’s Hamlet into a videogame. Games are about the ways user choices can shape a narrative and Hamlet—well, let’s just say he prefers to keep his own counsel. Every level mus
Very few people get out of bed and plan to run a horrible sweatshop, but here they are, a collection of young, presumably liberal adults, doing just that. They are participants in Zoe Svendsen’s interactive play, World Factory, at London’s Young Vic Theatre. Audience members form teams. They sit in
Key to acquiring mastery of a foreign language is putting what you learn into practice. The red-faced pressure that overcomes you when trying to speak, say, French to a perplexed native speaker forces your brain to spew out something French-like. Eventually, with enough of this traumatic practice un
