Review
The Kill Screen Review: Far Cry 3, the first game about the Millennials
In Ubisoft’s new blockbuster, a dithering American boy-man learns how to keep up with the rest of the world.
Review
Review
The Kill Screen Review: Nintendo Land, where everyone can be Mario
Nintendo’s introduction to the Wii U dresses us up as the characters we’ve been playing as for years, with a little help from our friends.
Review
The Kill Screen Review: Call of Duty: Black Ops 2, a history of violence
The new military shooter from Treyarch helps us do our dirty work.
Review
The Kill Screen Review: Halo 4, which gets everything wrong, except the most important thing
The fourth game in the science fiction series is a baffling, bland, repetitive, incredibly excellent experience.
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The Kill Screen Review: Assassin’s Creed 3, your punishment for enjoying Assassin’s Creed 2 too much
Ubisoft’s new epic shares some unfortunate impulses with its Puritan subject matter.
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The Kill Screen Review: Warfighter, the last refuge of a scoundrel
EA’s new military adventure teaches us what it means to be an American hero.
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The Kill Screen Review: Professor Layton and the Miracle Mask
The latest never-ending puzzler helps our reviewer sort out the food bill.
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The Kill Screen Review: Hotline: Miami, the first postmodern videogame?
Lost in the funhouse with Jonatan Söderström’s very clever, very cool new twitch shooter.
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The Kill Screen Review: The Unfinished Swan, or, all hail the young king
Ian Dallas’ years-in-the-making debut is not without erudition, even pretention. Thank god.
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The Kill Screen Review: Dishonored, a stew with too many ingredients
Dishonored lets you do whatever you damn well please. Why?
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The Kill Screen Review: XCOM: Enemy Unknown
Firaxis’ remake of the PC gaming classic lets you fail, and there is beauty in failure.
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The Kill Screen Review: Resident Evil 6, a devastating parable about addiction
It is a harrowing, endless, and unrewarding experience, and I wouldn’t recommend it to anyone.