jarboe

The garish psychotronic madness of Uriel’s Chasm nods to early Swans

The band Swans have two distinct phases. The first is grimy, industrial no-wave that churns and roils Tetsuo-like with dystopic paranoia and twisted sexuality. The second phase—their current one—is patient, unfurling twenty-minute art rock tapestries largely devoid of distorted guitars and far more