Brooklyn-based artist Rachel Rossin investigates the tensions between technological infinity and human impermanence through a practice spanning VR, painting, and holography, drawing from her early experiences with programming and underwater exploration.
Somewhere in the future of the mid-1980s, rockstar journalist Edison Carter had his memories captured into a computer software imaging device. From this, Max Headroom was born. Max would travel through television sets, gathering information to expose the wrongdoings of major news corporations. Howev
Most people will not argue with you when you say that we live in a digital society. But the world we live in might actually be a lot more digital than we know. It might be digital to the point where the whole thing is actually just a really complicated hologram. That’s not a very complicated and unn
