The Candidate, director Michael Ritchie’s 1972 political satire, depicted an exaggerated political milieu in which even the most earnest of candidates is shallow and ultimately believes in nothing more than getting elected. Ritchie’s exaggerated world, in other words, is the world we now live in. Th
The metaphor is so obvious that explaining it feels wasteful. Drones capture footage of ghost towns: drones and death, drones and abandonment, drones and societal disintegration. Sadly, we’ve seen this morbid movie before. drones remain macabre vehicles. Well, not exactly this movie. Mic’s Max Plen
