Gaspar Noe
In the Realm of the Senses
Gaspar Noe's films want your senses open wide, and they get there by borrowing the architecture of games. The drug trip in Enter the Void is Child of Eden without a controller.
Gaspar Noe
Gaspar Noe's films want your senses open wide, and they get there by borrowing the architecture of games. The drug trip in Enter the Void is Child of Eden without a controller.
News
Despite being a child of ’90s clubbing and music television, the 2001 rail shooter Rez didn’t quite resonate with its majority audience as its visionary creators had hoped it would. A small niche of players got it—no, they really got it—but it didn’t have the impact of, say, a killer DJ set sending
Lumi
Japan's virtual idol craze has come to consoles in Tetsuya Mizuguchi's Child of Eden, and it begs the old pop question: Do you care how the song is made, as long as it makes you dance?