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Superhuman, a new exhibition at the Wellcome Collection in London, catalogues the history of synthetic human empowerment. From ivory dildos to telekinetic microchips, the show seems to jostle between historic sex show and cybernetic world’s fair. One piece in particular, the embedded chip of Kevin W
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To cope with long-distance relationships, partners often train memory like a muscle, flexing in times of desire a truly sensational remembrance of compassion, in order to rejoin lost love with the present. But if you would rather let this extraordinary part of the brain atrophy in lieu of a cheap te
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When the Brooklyn tech agency called Breakfast signed on to help TNT advertise another detective show, called Perception, they built the billboard of the interactive future. Made out 44,000 black and white electromagnetic discs, the billboard displays letters until someone or something walks into it
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In a recent article on Tech Crunch, Nir Eyal—a founder of two startups and a Lecturer in Marketing at the Stanford Graduate School of Business—admits that he wants you to be addicted to his products. Despite the abounding rhetorical drug associations, he believes that a certain reinterpretation of a
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Babel Rising lets you play as God, but you can hardly call it a God game. Remolding Him into an angry tower defender, Babel Rising becomes a ruthless joke on general faith and a victory dance for the anti-theist audience.
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Kickstarter rarely delivers a viable market product, so what makes a Kickstarter project make money? Professor and creator Ian Bogost at Fast Company sees the most attractive projects like compulsory TV. The instant jackpots, like the OUYA, are not the ones that are in high enough demand to float th
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When Microsoft developed the Kinect—a TV mounted gesture recognition device used for at-home bowling and dance games, they also accidentally created a way for artists to engage the technology as a medium in and of itself. After the Kinect hit the market, a hacker developed an open source driver for
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If games are meant to encourage trust and maintenance in systems in general, then we might think of art in games as doubt and subversion of these systems. But does this mutual exclusivity reflect why we struggle so openly about wanting more of the latter in our games? Writing for IGN, Keza MacDonald
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Making cigarettes cute and interactive might not be the best way to stop kids from starting, but the Ukrainian artist’s series “No Games For Smokers” does cleverly simplify smoking’s generally accepted dangers. Whether or not game imagery make cigarettes more attractive than repellent is ambiguous,
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“All story is manipulation.” — Ken Burns In the video above, the acclaimed documentarian Ken Burns goes ahead and admits that even his documentaries manipulate the audience in order for them to be moving. Only this is his advice to all storytellers. So perhaps we should consider that the thing that
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Because augmented reality glasses should probably be for those who actually need them, researches continue developing more economical solutions for suffers of debilitating strokes and spinal-cord injuries, Engadget reports. These glasses track eye movement with $35 worth of parts. The tracker works
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As early as 1992, games were mapping human faces onto screens. Mortal Kombat was one of these games, and its first actor was Daniel Pesina. Verge has the story of how one game design student ran into Pesina accidentally as he was teaching martial arts. The gracious game actor agreed whole-heartedly