News
The Old Testament horror and Inferno beasts of Malebolgia
as
Chris Priestman
News
Life actually does flash before your eyes in Close Your
Blink and you’ll miss it.
Review
Sympathy for the Goblin: A review of Styx: Master of Shadows
Show them the meaning of fear.
News
With money comes tragedy in idle game Exoptable Money
Mo’ money, mo’ problems is the lesson of this idle game.
News
This ambient toy aids appreciation of Manfred Mohr’s computer art
Do not fear the hypercube.
News
You’ve defended towers, now defend your gross internal organs
It’s not until you fall sick that you appreciate good health. You enter a state of hyper-sensitivity, suddenly realizing the labor of your every action, every movement, and every breath. Sometimes, when ill, I sit up in bed to fully concentrate my newfound awareness of the coiling and squelching of
News
Feed a hungry skeleton, fall in love in Breakfast at Cemetery
A tale of life, love, and death.
Article
Remaking the videogame canon with Rachel Weil
Or: the rebirth of pink.
News
Fear the pyramid with CHYRZA’s Twilight Zone-style horror
If you look beyond the sillier plots of classic TV series The Twilight Zone (such as Dennis Hopper getting leadership lessons from a not-dead-actually Adolf Hitler) then you can find a distinct type of timeless horror. It’s not the shock-gore or psychotic killer chases of schlocky horror films and c
News
Realize the compositional beauty of Rachmaninoff in Zero Age
I suppose you’ve heard that classical music apparently acts as a complementary aid to learning. It’s the type of reported notion that causes pregnant mothers to waddle around the house, a pair of headphones stretched around their baby-bloated bellies, all in order to blast Beethoven foetus-side thro
News
The experimental narrative vignettes of André Blyth
Both new flesh and tarot, in videogame form.
News
The Official captures all the struggles of early adulthood, in low-poly beauty
When I last spoke to Tymon Zgainski in late 2012, he had just entered his adult life, being a new student at the University of Edinburgh, and was “concerned with issues of modern civilization and our responsibility towards the environment we live in.” At the time, he was showing an image from his fi