There’s an attractive quality to the crime stories of the first two Mafia games. Two protagonists down on their luck—Tommy Angelo in the first and Vito Scaletta in the second—find success through a life of crime, wanting nothing more than to rise through the ranks, to be wealthy, to be a “Made Man.”
One can only sympathize with Scott Cawthon. Once a struggling game-maker, he seems concerned that, just as unexpectedly as it arrived, his recent success might disappear. So he’s been working it while it’s hot—inside two years, he’s put out six different Five Nights at Freddy’s games. But 2, 3, and
In 1986, Metroid was released for the Nintendo Entertainment System. Since then, Hirokazu Tanaka, Metroid’s composer, has been revered for helping create the game’s iconic, eerie atmosphere. To up Metroid’s creeping feeling of loneliness some 30 years later, composer Luminist is rerecording the game
Those who’ve devoted their lives to the Cartasian Discipline in Neal Stephenson’s Anathem (2008) are subject to rote memorization when they’ve broken the rules of their society. The book in which they’re to memorize from is filled with illogical nonsense, like nursery rhymes that don’t quite rhyme—a
You’re taking a walk in Central Park. The sun is shining down on you, a stark contrast to the cool autumn wind that tickles the back of your neck. It’s a reminder that change is coming. As you stroll past the row of chess tables, you see two elderly men hunched over and glaring at each other with an
