At the very end of his playful Postscript to The Name of the Rose (1980), Umberto Eco made a casually sibylline gesture toward the future of interactive fiction. “It seems,” Eco wrote, “that the Parisian Oulipo group has recently constructed a matrix of all possible murder-story situations and has f
Videogames operate on a timescale that we don’t expect from any other medium. Poetry and music often take minutes; novels and films hours. The day is not an uncommon unit of measure for the time we spend with games, and for games like Destiny (2014) or World of Warcraft (2005), weeks can be the oper
This is a preview of an article you can read on our new website dedicated to virtual reality, Versions. /// It seemed like magic. By hacking together a pair of VR headsets, a group of artists and DIY neuroscientists discovered that they could create empathy between two strangers. Men could empathize
French architectural genius Axel de Stampa created a dancing ode to Tetris (1984) with the 2014 debut of his gif art gallery Architecture Animée. The introductory image sees large Tetris piece-shaped buildings fall from a blue sky to interlock themselves with the grounded structures below. The resul
Every time I unbox a board game it feels as though I’m ‘starting something’. There’s a secure rhythm in drawing out components, shuffling decks, placing pieces; it feels significant in the same way that the placement and positioning of elements in communion or offering feels holy. Mats are laid out,
