The term “roguelike” was originally derived from the game Rogue (1980), a dungeon crawler that popularized procedurally generated levels and permadeath. Rogue spawned an entire genre of likeminded games. In the 2000s, game makers lifted inspiration from old roguelikes to craft wholly new generated e
This article is part of a collaboration with iQ by Intel. Advances in technology lead to bigger, shinier games each year, but outside the mainstream flows a river of creative and entertaining independent games that play well across a variety of devices and screen sizes. Many small studios use innova
A city-building game, no matter how wild it looks, is an economic model. Everything can be mapped. Everything is built on a substrate designed to facilitate bean counting. Everything is fundamentally knowable. There are surprises for the eye, but nothing is truly surprising. The city-building game,
If we can associate genres and aesthetics with film-makers (John Woo and action movies; Stanley Kubrick and deep focus) IO Interactive, especially in its prime between 2002 and 2007, was a game-maker defined by concerns about player agency. By constantly placing her in restrictive and alien environm
My grandmother cannot be seen. She is in the room but hardly visible—consumed by the beige. Her gradual decline into camouflage was incidental; the result of years spent sunk in her yellowed sofa, watching afternoon quiz shows and staining the walls with a million cigarettes. “Nan?!” I call out into
