David Rudin

Paul Krugman delivers punches and ripostes in an arcade-style news game

In light of the recent imposition of capital controls in Greece and the looming prospect of a Grexit, now seems like as good a time as any to talk about economists punching one another. He has the mien of a vituperative hobgoblin  Paul Krugman, the Nobel Prize-winning economist, New York Times colum

Apps are the best hope for Moscow’s architectural heritage

You never know what you’ve got until it’s gone. So it is in Moscow, where on the occasion of the Garage Museum of Contemporary Art’s unveiling, the architect Rem Koolhaas told The Guardian “you can say so many things about the Soviet system that were bad, but in terms of public architecture it was g

It’s time to start thinking about public squares as democratic tools

First there was the Bilbao Effect, a quasi-spiritual conviction that erecting architecturally compelling museums would bring in droves of tourists and revitalize woebegone industrial cities. Now we’re starting to what you might call the High Line Effect (after New York’s High Line park). The Bilbao

Virtual reality is all fun and games until it asks you to walk a high wire

The only safe thing to say about walking a tightrope between two skyscrapers is that it’s a remarkably stupid idea. One wrong move, and splat! A very stupid idea indeed. But therein lies the appeal of such stunts. You might not think it wise to actually walk between buildings on a rope that bears an

SUPERHYPERCUBE is bringing telekinetic tetris to virtual reality

Very few games are telekinesis-friendly. Sure, you use your mind to move objects, but there is always a visible intermediary. Even the illusion of psychic ability cannot survive in most games.  SUPERHYPERCUBE, which has been in development since 2008, offers the promise of telekinetic Tetris. Since

An exhibit celebrates the brutalist playgrounds of the past, as should we all

Brutalism gets a bad name. Ok, let’s be honest, it has a bad name. If tomorrow morning you were tasked with encouraging parents to send their kids to a specific playground, you probably wouldn’t call it brutalist. Or would you? For a brief, wonderful moment in the middle of the 20th century, archite

Knyttan makes personal fashion as easy as dressing a videogame avatar

Knyttan is a fashion startup or, if you would prefer a cultural reference, a 21st century incarnation of Cher’s closet in the opening scenes of the 1995 teen classic Clueless. In practice, the film’s build-your-own-wardrobe app looks an awful lot like the maker movement’s version of fashion design.

Goldi mixes fairy tales and political philosophy, because why not

At the time of his death in 1527, the political philosopher Niccolò Machiavelli had never stated his position on works being placed in the public domain. Fair enough: “public domain,” as presently constituted, was not an idea in Machiavelli’s time. One can, however, suspect that the author of The Se

Perception vows to enhance your vision using echolocation

The terror of Perception, a first-person horror game currently raising funds on Kickstarter, is that entire world around you appears to be hewn from stone. What chance do you stand in a universe where everything is so unnervingly solid? The manor in which Perception is set is not actually hewn from

Ingenious coffee table doubles as labyrinth

Benjamin Nordsmark’s Labyrinth Table is not Kramer’s coffee table book about coffee tables—sadly, nothing ever will be—but it’s pretty damn cool nonetheless.   “The Labyrinth Table,” writes Nordsmark, “was created to show how a well-known object like a table can be given an extra dimension by creati

Mortal Kombat meets Nigerian politics in devastating satirical short

Nigeria, Africa’s largest exporter of oil, has recently been suffering from a severe oil shortage. The country’s fuel marketers and distributors have spent much of May on strike over government subsidies that have gone unpaid. In response to the strike, black market fuel prices have soared beyond th

An interactive theatre show brings out the capitalist monsters in most of us

Very few people get out of bed and plan to run a horrible sweatshop, but here they are, a collection of young, presumably liberal adults, doing just that. They are participants in Zoe Svendsen’s interactive play, World Factory, at London’s Young Vic Theatre. Audience members form teams. They sit in