Review

Once famously justified by Freud, pop culture’s fixation on human excrement is a strange phenomenon. Yannick LeJacq looks at Postal III and wonders why this has never transferred successfully to videogames.

Where do we draw the line between reality and fantasy? Richard Clark argues it’s where the first punch connects with his face.

We can try to make sense of the sound and the fury of Metal Gear Solid: Snake Eater 3D as it escalates and unravels. But maybe we don’t need to.

Everything looks wrong at first about BioWare’s final space opera. It turns out the makers gutted Mass Effect 3 to make it right. Here are their conclusions about humanity.

Waking Mars, an iPhone game about researching and growing life on Mars, has lessons in patience and persistence for the earthbound.